I know what it's like to struggle for years and years in hopes of commanding the support, flexibility and stamina necessary to resonate  freely.

I spent over 30 years singing and giving up, soul searching, "attitude adjusting", addressing my internal voice, singing and giving up, redoubling my effort to follow master teachers' time honored instructions in hopes that this time the best technique would work for me, and giving up again. Well meaning self help practitioners told me I'd have a world class career if I'd just get a handle on my resistant ego. I regularly found myself in pain (during and after singing), experiencing frequent emotional lows, and being vocally compromised for up to a week after every lesson, master class, rehearsal or performance. It was soul killing and career stalling.

Monica Schober

Master Voice Teacher

 

works with the entire resonant system -

Dynamic Resonance Release

here at Voice Unbound

and

Internal Voice Management

  at Resonance and Light

helping you optimize

 your relationship with your resonance

so you can have the

 abundantly harmonious life you seek.

Voice Unbound Vocal Support Technique

Voice unbound 

It was clear that technique as traditionally taught and how my body works were out of alignment with each other.

I  had to search "outside the box". The clues had to be there!

And they were - hidden in plain sight..

You see, my body can be described as hyper mobile. Mismanaged, this paradoxically causes imbalance and tension in my whole body and by extension in my vocal production.

Wait! Wait! Wait!

 "Monica, what does this

have to do with me?!!"

What if I'm not hyper mobile?

I'm glad you asked.

My hyper mobility revealed what other vocalists are "getting away with".

Are you a

"HYPER MOBILE" VOCALIST?

Do you find it difficult to find a consistent stability as you pursue your fully, individually resonant sound?

 

Do you feel you may get side-lined

 as just not having what it takes, not working hard enough, or having self-sabotage issues?

It's likely the elements of your vocal support are not being "normally" recruited and

you'll need to get your support in a different way.

 Imagine how your vocal work

can feel and sound when you

 COORDINATE YOUR SUPPORT

IN A WAY THAT HONORS

HOW YOUR BODY WORKS.

Even if you are a 

VOCALIST WITH "NORMAL" TENDONS, it can take years and years

and countless dollars, until you eventually "recruit" the structures needed to get command of the vocal support you need to sing or speak.

 

How much more efficient

 will your vocal work be,

 what persistent vocal issues will "spontaneously" clear up,

 and

how much wear and tear on your vocal mechanism will you avoid

when you learn to use what hyper mobility taught me about PURPOSEFULLY COORDINATING

YOUR FULL BODY

AS YOUR VOCAL SUPPORT?

Imagine

the relief when a persistent vocal issue "spontaneously" clears up,

 and

how much wear and tear on your vocal mechanism you will avoid

when you put into practice

 what hyper mobility reveals about

 PURPOSEFULLY COORDINATING

YOUR FULL BODY

AS YOUR VOCAL SUPPORT?

Very few people know that It TENDON LAXITY can contribute to

 very tight muscles along with underperforming muscles creating misalignments

and instabilities

that

AFFECT VOCAL PRODUCTION

(find out why)

They don't know how it's been influencing their vocalization. 

They don't know how

 TENDON LAXITY

can affect them and their vocalization.

A lot of people with muscle tension (and even pain) don't know that  is a contributing factor and even affect

AFFECTS VOCAL PRODUCTION

(find out why)

for
 "HYPER MOBILE" VOCALISTS"
and for
NON-"HYPER MOBILE" VOCALISTS

"...it's not standard technique. It's DIFFERENT and it's BETTER."

JM / Voice Teacher & Hypermobile Singer

"That's what they told me - and I'm here to say:

 they were wrong about why I was struggling."

Are you an

INSTRUMENTALIST?

You have a very special kind of voice. Wind instruments, of course, manage their breath. Consider: even pianists and drummers need breath to play.

Do you want to capitalize on what

a hyper-mobile vocalist knows about

using fully supported breath

to create sound and

make musical choices?

Universal Stage singularity 2_edited.jpg

DISCOVER where

the REAL GRAVITAS

 in your voice comes from.

KEEP 

your audience's 

ATTENTION.

COMMAND 

RESPECT

 with your voice.

INFLUENCE

whether you are interrupted or ignored.

CHANGE

HOW YOUR ARE

PERCEIVED 

before you say a word.

Do you know

you have a bigger voice in there than you can consistently produce?

"Monica is

a spectacularly gifted intuitive!

If you are truly committed to

your journey of self-evolution,

Monica provides a gentle and effective

method of change."

Do you have discomfort anywhere in your body during or after using your voice.

Do you

have trouble finding the core of your sound?

Have you been told your intonation is inconsistently

"off"?

Does singing really high (which you can do really well) compromise your mid-range voice?
DO YOU SING and you just can't get your
VIBRATO TO STABILIZE, let alone alter vibrato to accommodate style?

"The work we've done with the INTERNAL

VOICE has been more POSITIVE and LIFE

ALTERING than I could have imagined."

 

T. Garrett

Hospice Admin